Saturday, November 12, 2011

Guest Blog with John G Hartness



Elements of a great horror novel

Hi there, I’m John, and I write horror novels. Kinda. Well, sometimes. Okay, not really. But I write about things that go bump in the night, and things that eat babies, and steal souls, and trolls that crush ballet dancers in alleys, but they’re actually funny novels (most of the time).

But I read a ton of horror novels, and there are few key elements that will set a great horror novel apart from an also-ran, so let’s look at a couple of those. I’ll try to keep it short, so we might only get to two or three for today.

1) Great Characters - This is the key for me. I don’t care what’s happening in the book, if I don’t care about the characters, I can’t relate. The plot can’t touch me, because no matter how good a writer you are, you can’t drag me through the pages into the book. So I have to care about your characters. One of the scariest books I read as a teen was Pet Sematary. That book scared the bejesus out of me, not just because of the image of the zombie cat walking around kinda half-cockeyed, but because the main character, Louis, is so believable. This is obviously a strength of Stephen King’s, the insertion of the Everyman into remarkable circumstances, but it works so well in this book that we become very invested in every bad decision that the character makes.
Character drives everything in a great book for me. If I care about the character, I’ll go along for the ride with the writer. If there’s something I can relate to in the character, I’m there. In Dr. Louis Creed (Pet Sematary) it’s his love for his family. In Odd Thomas, it’s his isolation and strange way of seeing the world. In the kids from It (another long-time fave), it’s the band of friendship. All of these characters are very believable and make me care what happens to them, thus raising the stakes for the reader.

2) Comic Relief - You can’t have hours and hours and hours of nail-biting tension, the human body just can’t handle it. We can’t climb and climb and climb and then have moment after moment of terror, you just become numb. Eventually you need to laugh. You need to take a breath, ratchet down the stakes, and see the cat come out of the closet where you thought the killer was hiding. Then you can switch point of view and see that the killer is still in the closet, and ratchet up the tension even higher than before. Comic relief is that breather, it’s the moment at the bottom of the hill on the roller coaster before you start climbing for another scream. If done well, it gets a bigger, better scream at the end. Scream is such a good example of this it’s hard to tell where the comic relief stops and the horror starts sometimes.

3) Pacing - Just like using comic relief to ratchet up or down tension in a book, the pacing of the book can heighten or kill a tense scene. The last thing I want to see in a scene where the main character has been chased through the woods for hours and has barricaded herself into a cabin as a last refuge before the monster gets her is a long drawn-out Tolkien-esque description of the cabin, down to the type of nail heads that are holding the shelves on the wall. That kind of description can kill the pace of a story.

Now sometimes that’s exactly what you want to do - you want to change the pace of a story to give the reader a break. Just like comic relief. But a huge shift in pace is a dangerous tool, because if you wield it unwisely, it will destroy thousands of words of work that built the tension in a book, just for the cause of lush description. Sometimes the heroine can just hide in a cabin, grab a shotgun, and shoot the bad guy.

Another trick writers use to manipulate pacing is sentence and paragraph length. As the action heats up, the sentences get shorter. The paragraphs are more brief. The writing is more clipped. That lets people read faster, and can bring a reader along with you to the climax.

Those are just a few key elements writers think about when working in the horror genre, although I’m quick to say that a book without some consideration to all of these things is going to be pretty lame no matter what the genre is. Especially character, because that’s what keeps us as readers coming back again and again - good characters that we care about.

My new book Genesis, hopefully creates some characters that people will care about. It’s an apocalyptic novel about a group of teens who don’t have to save the world, they just have to save their own butts and eventually find their mom. And then they have to figure out why there are fireballs shooting out of their fingertips, too!

GENESIS
By John Hartness


The end of the world was just the beginning.

Now they have to stay alive.

17-year-old Christin Kinsey started the day with nothing more pressing than an English exam. But when an EMP attack knocked out all technology across the globe, she found herself in the mountains of Georgia trying to stay alive in a world suddenly thrown back in time a hundred years or more.

And when she starts shooting lightning bolts out of her hands, things get really weird. Christin, her younger brother Matt, and Matt’s cute friend Dave have to figure out what this new world is about, why they suddenly have super powers, and what happened to their mom in this apocalyptic fantasy novel geared for audiences 16 and up.

Mad Max meets X-Men: First Class in the first book of the Return to Eden trilogy by the best-selling author of The Black Knight Chronicles.



AUTHOR BIO

John G. Hartness is a recovering theatre geek who likes loud music, fried pickles and cold beer. John is an award-winning poet, lighting designer and theatre producer, with a theatre career spanning three decades.

His first novel, The Chosen, is an urban fantasy about saving the world, snotty archangels, gambling, tattooed street preachers, immortals with family issues, bar brawls and the consequences of our decisions.

He followed up The Chosen with Hard Day’s Knight, a new twist on the vampire detective novel and the first book in the highly successful series The Black Knight Chronicles. The second book of The Black Knight Chronicles, Back in Black, landed in March 2011 and enjoyed immediate success. Knight Moves, the third Black Knight book, was released in August 2011.

John has been called “the Kevin Smith of Charlotte,” and fans of Joss Whedon and Jim Butcher should enjoy his snarky slant on the fantasy genre.

He can be found online at www.johnhartness.com and spends too much time on Twitter, especially after a few drinks.

www.johnhartness.com

www.facebook.com/johnhartness

@johnhartness

Friday, November 11, 2011

Release Day Blitz and Genesis Excerpt

GENESIS EXCERPT

Chapter 1

The three teens burst out of the darkened hallway, squinting after the darkness of the hallway. Christin Kinsey drew a sharp breath to ask her brother Matt just what was going on, but a sharp look from the younger boy and the question died on her lips. He hurried across the blacktop parking lot toward her battered old Chevy truck, waving at her to hurry up as he stood by the passenger door, bouncing from one foot to the other like he had to pee or something. Christin unlocked the door, then slid over to let Matt in. He scooted over to the middle and his best friend Dave hopped in beside him.

“What’s going on, Matty? And what is he doing here?” Christin asked, keys dangling from her fingers.

“No time, sis. If I’m right we’ve only got a little time before things get really bad, and we need to be out of here before that happens.”

“Before what happens? Matt, we’re not going anywhere until you explain exactly what is going on here?”

“Please, Chris, just trust me and go home. Now. I know it’s weird, but it’s really, really important.”

“Weird doesn’t even begin to describe this morning, little bro.”

“And it’s probably going to get weirder before it’s all over, sis.”

“You still haven’t told me what he’s doing here.” Christin jerked a thumb at Dave, who was ducked as far down in the seat as his lanky frame would allow.”

“He saw me sneak out of Trig class and tagged along.”

“Wherever you go, adventure follows, Matty-boy. And Adventure is my middle name!” Dave replied.

“Too bad your first name is Dork, then.” Christin muttered as she cranked the truck and pulled out of her parking space. She looked around the nearly deserted lot, smirking a little at a couple of the preppy kids trying to crank their new Priuses and Lexuses. Her truck might be old, she thought, but it was as dependable as her dad had been. Her smirk dipped a little at the thought of her father, but she pushed those thoughts to the back of her mind and pointed the nose of the truck towards home.

“Okay, Matt, we’re rolling, how about you explain what’s going on?” Christin said as she pulled out of the parking lost onto the main road.

“I can get part of the story by the time we get home, but then you’ve got to go with me, okay?” Matt asked, his eyes flickering between the dark storefronts and the stalled cars all around them.

“Depends on how good your explanation is, so get to it.” Christin said, steering around a stalled Volvo.

“Well you know how all the lights went out all at once, right?”

“Yeah, kinda hard to miss that. So?”

“So did you notice that your cell phone is dead, too?”

“Yeah, but I figured I just forgot to charge it last night. You know how I am about that.”

“Fair enough, but when was the last time I didn’t charge mine?” Matt asked, holding up his phone for her to see the darkened screen. Dave reached into his pocket to show that his phone, too, was completely dead.

“Okay, so the power went out at the same time the cell phones died, that’s kinda weird, but why are you so panicked?”

“Turn on your radio.” Matt said. Christin reached down and snapped on the radio she’d had out in at Best Buy last month, and nothing happened. No lights on the front, no noise, not even static.

“It’s dead.”

“Yeah, sis. I think an EMP has knocked out all electronics in Asheville, and maybe a bigger area. That’s why I want to get out of town.”

“An E-what? And why do you want to leave town?”

“Because if there’s no electronics, no computers, then there’s nothing. No power, no communications, most cars won’t work. That means no police. And no hospitals, and no way to get there. So the more people are around, means more people that could go nuts and do bad things. So I want to get out of town before people figure out that there are no cops and decide to do whatever they want to whoever they want. Is that enough explanation for now?” Matt said as they pulled into their neighborhood. The trip had taken twice as long as usual because it seemed like every traffic light in Asheville had gone out at the same time, and at least ninety percent of the cars were stalled in the streets.

“Park at the end of the drive, nose out, sis.” Matt said as they approached the end of their cul-de-sac.

“What? Why?”

“I don’t want anyone blocking us in. Dave, get to your house, load up like we talked about and get back here in half an hour. No later, I’m not waiting on you. You got it?” Matt’s dark eyes were unusually serious under the shock of brown hair that he usually wore flipped around like a skateboarder or something.

“Got it.” There was no humor in Dave’s eyes either as he bolted down their street toward his house.

Christin knew he only lived a few blocks away, but he was running like his life depended on it. She got out of the truck and looked at her brother over the hood. “Matt, is it really that bad?”

“Have you read Lord of the Flies? Because we’re on that island. If I’m wrong and everything goes back to normal tomorrow, we’ll come back and face the music about skipping school. But we have to go now.” Matt turned and walked quickly to the front stoop, fumbling with his keys in his haste to get the door open.

Christin caught him on the step and yanked the keys away from him. “No, little brother. I don’t know what Doctor Who episode you think we’re trapped in, but we’re not going anywhere. We’re going to go in this house, pick up the phone, call Mom, make sure she’s okay, and then we’re going to chill in our house until the power comes back on. You understand me?”

The expression on Matt’s face as he looked up at her chilled Christin as much as the words that came out of his mouth. “Chris, you know in disaster movies how there’s always the one guy who sees what’s coming before anyone else and tried to tell everybody about it, but nobody listens and then they’re all screwed? And the guy manages, against all odds, to save his loved ones from the apocalypse?” He had hold of both her arms now, and was looking straight in her face, as if to drive his point home.

“Yeah, so?” Christin was starting to get really worried, now.

“Well in this movie, I’m that guy. I’m Jeff Goldblum in Independence Day, John Cusak in 2012, Jake Gyllenhall’s dad in The Day After Tomorrow, all rolled into one because this is real, it is happening, and I have a plan. So please, stop being my big sister for a couple hours and just believe me so I can keep you alive!” He almost broke down at that, but pulled himself together after a moment and looked back up at her. “Please?”

She didn’t know if she believed in what was going on, or if he was right, but he sure seemed sure of himself, so Christin just took a deep breath, nodded, and said, “Okay. What do I need to do?”

“You’ve got ten minutes to pack clothes and camping gear. We don’t need tents, because we’re going to Grampa Don’s cabin, but you’ll need all the clothes you can pack into two duffel bags. That’s all you get. Forget about makeup and conditioner and crap like that, just think of it like a long camping trip. Pack as light as you can, but don’t forget anything essential. Figure we’ll be gone for about six weeks. By then it should be safe to come back into town.” He turned and ran inside and up the stairs to his room.

“Safe from what?” Christin murmured as she watched her little brother run into the house. It was only then that she noticed the absolute quiet that had settled over the town. No car horns, or highway noise broke the afternoon silence. No humming of central AC units from the nearby houses, no refrigerator noises from her own. It was as if the world had been turned off by a giant switch.

Ten minutes later she dragged her two duffels down into the den to find Matt loading the contents of their father’s gun cabinet into a long bag originally designed for baseball bats or something similar. She dropped her bags and crossed over to him, angry. He looked up as she headed his way.

“Good. That was quick. Go to the pantry and load up the boxes of canned goods in the bottom of the closet into the truck. Once I’ve got the guns and ammo loaded this bag will need to ride on top, just in case.” He went back to his work, ignoring the stunned look on her face.

“Just in case of what?” She asked very quietly.

“Just in case anyone tries to stop us or steal the truck while we’re on the way to the cabin. While you’re in the kitchen, take a dry erase marker and write ‘Plan A in effect, C&M’ on the fridge. That’s the signal Mom and I agreed on in case this happened.” He was in the bottom of the gun case now, loading shotgun shells and rifle ammo. He picked up their father’s 9mm, checked the chamber like he’d done it a thousand times before, and clipped the holster onto his belt.

“Mom’s in on your plan? Why didn’t you ever talk to me about this?” Christin asked as she headed to the kitchen.

“It’s not like she was in on it, in on it, it’s more like I told her what my plans were, from A to C, just in case something like this happened and she was away when it all went down. Like today. I don’t think she ever believed it could happen, which was why I never brought it up to you, because you’d have just made fun of me.”

He’s right, I would have. Christin thought as she started loading canned food into boxes in the kitchen. Suddenly there was a loud knock at the front door, disturbing the unnatural stillness that was all around them. Christin jumped and squeaked a little in surprise, but Matt was already on his feet with their dad’s 12-gauge in his hands, pointed at the door.

“Answer it, Chris. If I yell duck, I need you to drop to the ground immediately, because I’m gonna shoot whoever’s at the door.” Christin looked at him like he was nuts, but nodded as she went to the door. She opened it to see Mrs. Alldren, their neighbor from three houses down.

“Oh Christy, I’m so glad you’re home! Whatever is going on everywhere? My power is out, my telephone is out, and I can’t even get my cellular phone to work. And of all times, now my car won’t start! Could you be a dear and run me up to the corner so I can call the power company from a pay phone?” She started looking around Christin into the house like she always did whenever she came along to snoop, but Matt’s voice from the den stopped her.

“I’m sorry, Mrs. A, but we can’t help you today. We’re packing for an unexpected vacation and have to meet our mother at the airport in 45 minutes. So we’ll be rolling out of here in the next ten minutes. I think if you just head on home you’ll be okay in a couple of hours.” Matt came forward, shotgun nowhere to be seen, and gently but firmly pushed the door closed in the old woman’s face. The kids heard a muffled hrmph! from the other side of the door, and then saw her blue hair totter off down the sidewalk through the windows by the door.

“What are you doing, Matt? If it’s going to be as bad as you say, shouldn’t we take her with us?” Christin grabbed his arm as he turned to go back to the gun cabinet.

“Take her with us for what? She’s almost eighty, Chris! If I’m wrong about what’s going on, she’ll be fine by morning. But if I’m right, she won’t last the winter regardless of if she comes with us or stays here. And we can’t take care of her. It’s going to be all we can do to take care of ourselves. I know that’s kinda cold, but it’s about to be a very cold world.” He headed back to the den to finish packing up. I think that kid has seen Red Dawn too many times. Christin thought as she went back to the kitchen to finish loading boxes.


GENESIS
By John Hartness


The end of the world was just the beginning.

Now they have to stay alive.

17-year-old Christin Kinsey started the day with nothing more pressing than an English exam. But when an EMP attack knocked out all technology across the globe, she found herself in the mountains of Georgia trying to stay alive in a world suddenly thrown back in time a hundred years or more.

And when she starts shooting lightning bolts out of her hands, things get really weird. Christin, her younger brother Matt, and Matt’s cute friend Dave have to figure out what this new world is about, why they suddenly have super powers, and what happened to their mom in this apocalyptic fantasy novel geared for audiences 16 and up.

Mad Max meets X-Men: First Class in the first book of the Return to Eden trilogy by the best-selling author of The Black Knight Chronicles.



AUTHOR BIO

John G. Hartness is a recovering theatre geek who likes loud music, fried pickles and cold beer. John is an award-winning poet, lighting designer and theatre producer, with a theatre career spanning three decades.

His first novel, The Chosen, is an urban fantasy about saving the world, snotty archangels, gambling, tattooed street preachers, immortals with family issues, bar brawls and the consequences of our decisions.

He followed up The Chosen with Hard Day’s Knight, a new twist on the vampire detective novel and the first book in the highly successful series The Black Knight Chronicles. The second book of The Black Knight Chronicles, Back in Black, landed in March 2011 and enjoyed immediate success. Knight Moves, the third Black Knight book, was released in August 2011.

John has been called “the Kevin Smith of Charlotte,” and fans of Joss Whedon and Jim Butcher should enjoy his snarky slant on the fantasy genre.

He can be found online at www.johnhartness.com and spends too much time on Twitter, especially after a few drinks.

www.johnhartness.com

www.facebook.com/johnhartness

@johnhartness

Always Remember Foxworth Coven Tour Kickoff with Kayden Mcleod

Always Remember

Dear Readers,

Thank you Roxanne for having me here today, and a special thank you for Bewitching Book Tours for setting up this fabulous tour for me and the Foxworth Coven Series, running from November 11th-December 13th 2011. There is many great stops I will be making in the coming weeks.

I want to kick off my blog tour, not to talk about my books, but about something to always remember and honour, all of those who fought and continue to fight for who we are today. Our veterans.

November 11th is one of those times that North America; both Canada and the United States of America have the same day of celebration—and remembrance.

It is the day that the Armistice was signed to end the hostilities, which took effect on the eleventh hour, of the eleventh day, of the eleventh month in 1918 at the end of WWI. Even though the tragic happenings continued on in other places, this is the official date that we now honour as the conclusion of the war.

Many people take a moment or two of silence at 11 am on this day to honour what was lost to so many.

In Canada, we celebrate Remembrance Day. This is a holiday celebrated by most commonwealth countries, to recognize the sacrifices of the armed forces in the times of war. One of the ways we do that is with the brightly coloured red poppy; a country-wide recognized symbol. You will see them everywhere; on cadets standing proudly in front of stores, or in boxes sitting on a table in a bank by donation, perhaps out in the open for all to partake in. We wear them upon our clothes by the thousands, a silent reminder to what this day means to us.

In the United States of America, President, Woodrow Wilson first proclaimed Armistice Day a holiday in 1919. In 1953, a shoe store owner, Alfred King wanted to campaign on expanding this holiday, to have the day in commemoration for all veterans. President Dwight Eisenhower signed the bill pushed through congress on May 26th 1954. On June, 1, 1954, Congress renamed it Veteran’s Day, as it has been known ever since.

Alfred King and those like him in both countries, show how appreciated the veterans are—and how hard the people they fight for will fight for and remember them.

Some of us have lost loved ones, or have someone still defending the freedoms and rights we all enjoy today. It takes a brave and selfless person to set out to go and do everything they can for us, even the ultimate sacrifice anyone can give—regardless of which branch of military it is; the Army, Navy, Marines, Air-Force or another branch. They learn new skills and obtain a new sense of belonging. These men and woman grow stronger; both in body and mind, determined to better themselves and the country they serve.


- The legacy of heroes is the memory of a great name and the inheritance of a great example. ~Benjamin Disraeli



They move past the uncertainty and fear of what could be, and embrace what is. They see the price of liberty, and are willing to do as they have to. These men and women sign their lives over, so we may live better, more prosperous existences.

- A hero is someone who has given his or her life to something bigger than oneself. ~Joseph Campbell


It is our duty to remember them and honour their memory in every way we can. If our loved ones make the paramount sacrifice for their country, let it be known that they live on in the hearts of those same nations, who will always respect what these people gave themselves for, and have for generations upon generations.


- The brave die never, though they sleep in dust: Their courage nerves a thousand living men. ~Minot J. Savage


On November 11th and any other day, we remember that North America as a whole, is the way it is, because somebody out there believed in us enough to battle for it.

Always remembering…

Kayden McLeod






Death of Innocence
Book One of the Foxworth Coven Series
By Kayden McLeod


Genre: Erotic Paranormal Romance
(Vampires, Deities, M/F)

Hate Rating: Three

Warning: Some violence, off-scene rape

Publisher: Solstice Publishing (Solstice at Night)

Price: $4.99

Buy the Book

Summary:

Even unconditional love cannot always banish an eternal nightmare

The Foxworth family has blazed a trail through human and vampire history alike, changing the ways of both races in Canada for all time. The Council has demanded a full report for the long and twisted tale of how the Surrey Coven had come to be the most powerful and feared; an assemblage that anyone would question before coming up against.

The Leader of the Surrey Coven, Canya recalls how her family came to be. A story filled with pain and heartache, until she meets Gregory Foxworth: a debonair CEO to the family shipping company. Gregory remembers taking her away from a life that shocks him, hoping to shelter and love her. But little does he know all he has done, was make her a target for a sadistically warped man. One who will have her and his own personal brand of vengeance. Sometimes, a grudge is forever.

Natural Urges
Book Two of the Foxworth Coven Series
By Kayden McLeod
Genre: Erotic Paranormal Romance
(Vampires, Shifters, Deities)


Word Count: 76,561

Hate Rating: Three

Warning: Some violence off-scene rape

Buy the Book

Summary:

Love conquers all...and evil seeks to destroy it.

Arcadia Foxworth has no idea what destiny has in store for him. He thought his life as an elite Council Hunter of Rogues was his perfect career choice. But little does he know his fate truly lies in one little powder keg, Korbin Callows. She’s beautiful, graceful—and a stripper.

After having woken up, remembering nothing about her old life, Korbin had to pull herself together and make tough decisions to survive a harsh world. And now people she doesn’t even know are out to kill her. She finds herself relying on Arcadia to maneuver the new dangers presented to her, as she starts to recall who she really is. A powerful being that could make every vampire in British Columbia fall to their knees, including Arcadia.





About the Author:

Kayden McLeod lives in beautiful British Columbia, and is the author of the M/F Paranormal Romance and erotica series, The Coven Series, which consists of three Covens; The Foxworths, The Cornwalls and The Jerichos. She also dabbles in a multitude of other genres that are in the works, like BDSM, Ménage, M/M and Horror. As well, Kayden is a freelance Graphic and Cover artist, a Cover Artist for XOXO Publishing, and an owner of Otherworlds Publicity and Siren Book Reviews.
Connect with Kayden online:

Website: http://kaydenmcleod.com/

Blog: http://kaydenmcleod.blogspot.com/

Facebook: http://www.facebook.com/profile.php?id=1848048830

Facebook Group: http://www.facebook.com/pages/Kayden-McLeod-Author-of-the-Coven-Series/181298315224950

Twitter: http://twitter.com/#!/KaydenMcLeod

Deviant Art: http://kaydenmcleod.deviantart.com/

Wednesday, November 09, 2011

Seduced by the Supernatural

I have always been a fan of anything paranormal.

The love of all things supernatural seems to be part of my DNA. From a very young age I loved ghost stories, scary movies, and anything witchy. My favorite shows included Scooby Doo, The Addams Family and the Munsters.

And Halloween has always been my favorite holiday.

When I was around eleven I found a copy of Interview with a Vampire at a yard sale and my love of the supernatural evolved to include vampires.

Books had always been an escape for me. As an only child growing up in a semi-rural area I didn’t have neighborhoods full of kids to play with. I had a swing set and books. I would sit on my swing and read, lie under a tree and read, sit in a tree in read. Yes a theme emerged. Me and a book- anywhere and everywhere. I read everything I could get my hands on but anything with a taste of something spooky made me enjoy it even more.

The thrill of the paranormal made the books that much more interesting.

As I grew older the love of all things spooky became something different. My supernatural books became ever more seductive and the lure to believe in “something more” grew stronger.

I was thoroughly seduced by the paranormal, wanting to escape into something magical, something more, something better than my boring, mundane existence.

And then I discovered not just scary tales and ghostly characters but the supernatural hero- the paranormal man to drool over. Talk about seduction. Wow.

Sigh…human men could just never be enough for me after that…book wise I mean ;-)

When I began writing fiction I just had to write about sexy supernatural creatures- male, female, didn’t matter. What mattered was that they were supernatural, sexy and so much more interesting than your average everyday human.

Forget about economic despair, unplanned pregnancies, illness, cancer, and the woes of the everyday human existence.

Sure being a supernatural entity has its own downfalls- like being looked at as a monster by most humans, always being in a power struggle with other supernaturals, and living a long and lonely life with no one understanding or loving you- that is until you find “the one”.

But for the most part- what’s not to love? Superhuman strength, magic powers like mind reading or mind control, teleporting, becoming invisible, shooting fireballs out of your hands…and let’s not forget all that supernatural sexual appeal that draws humans to you like moths to a flame.

Who wouldn’t be seduced by all that?

I know there are plenty of people who don’t enjoy the paranormal and urban fantasy genres- so sad for them; they don’t know what they’re missing.

Good thing this site is geared towards all of us who have already been thoroughly seduced. :-)

My newest book is not for the faint of heart or underage readers. It can strictly be labeled as paranormal erotica. Full of ten paranormal tales of supernatural seduction that each feature the sexiest of supernatural creatures: witches, vampires, demons…even a ghost. I hope you’ll be seduced. Just don’t expect a lot of hearts and flowers romance. Not in this collection. Nope in hear you’ll find heart pounding, blood pumping scenes of passion…perfectly fitting for these lusty and very naughty night creatures.

Tuesday, November 08, 2011

Excerpt from In Leah's Wake by Terri G Long

Just Do It

September

Zoe and Will Tyler sat at the dining room table, playing poker. The table, a nineteenth-century, hand-carved mahogany, faced the bay window overlooking their sprawling front yard. Husband and wife sat facing one another, a bowl of Tostitos and a half-empty bottle of port positioned between them. Their favorite Van Morrison disc—Tupelo Honey—spun on the player in the family room, the music drifting out of speakers built into the dining room walls.

Dog, their old yellow Lab, lay on a ratty pink baby blanket, under the window.

Zoe plucked the Queen of Hearts from the outside of her hand, and tucked it center. She was holding a straight. If she laid it down, she would win the hand, third in a row, and her husband would quit. If she didn’t, she would be cheating herself.

The moon was full tonight, its light casting a ghostly shadow across the yard. The full moon made Zoe anxious. For one of her internships in grad school, she’d worked on the psych ward at City Hospital, in Boston. On nights when the moon was full, the floor erupted, the patients noisy, agitated. Zoe’s superiors had pooh-poohed the lunar effect, chalked it up to irrationality, superstition. But Zoe had witnessed the flaring tempers, seen the commotion with her own two eyes, and found the effect impossible to deny—and nearly all the nurses concurred.

“Full moon,” she said. “I hadn’t noticed. No wonder I had trouble sleeping last night.”

Will set his empty glass on the table. With his fingers, he drummed an impatient tattoo. “You planning to take your turn any time soon? Be nice if we ended this game before midnight.”

“For Pete’s sake, Will.” Her husband had the attention span of a titmouse. He reminded her of Mick, a six year-old ADD patient she counseled—sweet kid, when he wasn’t ransacking her office, tossing the sand out of the turtle-shaped box, tweaking her African violets.

“What’s so funny?” he asked, sulking.

She shook her head—nothing, Mick—and forced a straight face.

“You’re laughing at me.”

“Don’t be silly. Why would I be laughing at you?”

He peered at his reflection in the window. Smirking, he finger-combed his baby-fine hair, pale, graying at the temples, carving a mini-pyramid at his crown.

“Nice do. Could use a little more gel,” she said, feeling mean-spirited the instant the words slipped out of her mouth. The poor guy was exhausted. He’d spent the week in California, on business, had flown into Logan this morning, on the red-eye. Though he had yet to fill her in on the details, it was obvious to her that his trip had not gone well. “Sorry,” she said. “Just kidding.” She fanned out her cards, hesitated for an instant, and laid down the straight.

“Congratulations.” Scowling, he pushed away from the table. “You win again.”

“Way to go, grumpy. Quit.”

“I’m getting water,” he said, tamping his hair. “Want some?”

Dog lifted her head, her gaze following Will to the door, yawned, and settled back down.

Her husband stomped across the kitchen, his footfall moving in the direction of the family room. The music stopped abruptly, and the opening chords of a Robbie Robertson tune belted out of the speakers. Zoe loved Robbie Robertson, “Showdown at Big Sky” one of her favorite songs.

That didn’t mean that the entire state of Massachusetts wanted to hear it.

“Will,” she said, gesturing from the kitchen. “Turn it down. You’ll wake Justine.”

She waited a few seconds, caught his eye, gestured again. The third time was the charm.

Exasperated, she returned to the dining room, bundled the cards, put them away in the sideboard, and gathered the dishes. The toilet flushed in the half-bath off the back hall. Seconds later, she heard her husband rattling around the kitchen, slamming the cabinet doors. Last spring, Will had won a major contract for his company, North American Construction. Since then, he’d been back and forth nonstop to the West Coast, spending two weeks a month in San Francisco, servicing the client. Zoe hadn’t minded his traveling, at first. Over the past two years, with the glut of office and manufacturing space in the northeast, construction starts had dropped, and his sales had taken a serious hit, his commissions steadily dwindling. To compensate, initially they’d relied on their savings. In January, they’d remortgaged the house. When the California job arose, Will had jumped on the opportunity. He had no choice, especially with Leah headed to college next year. But the situation, lately, was brutal. Will hated traveling, hated flying, hated living out of a suitcase. And he resented missing Leah’s soccer games. Last November, as a sophomore, their daughter had been named Player of the Year on the Boston Globe All-Scholastic team. A week later, in his year-end summary, the sports reporter from the Cortland Gazette had called Leah the “best soccer player in the state.” The head coaches from the top colleges in the area—Harvard, Dartmouth, Boston College, BU—had sent congratulatory letters, expressing their interest. Will wanted to be home to guide her, meet the prospective coaches, help her sort through her options. Zoe didn’t blame her husband a bit. But it didn’t seem to occur to Will that his traveling disrupted her life, too. Last year, she’d developed a motivational seminar, called “Success Skills for Women on the Move.” Now that the girls were practically grown, the workshops were her babies. The extra workload at home, added to the demands of her fulltime job at the counseling center, left her with no time for marketing or promotion, and the workshops had stagnated. Zoe understood her husband’s frustration. It irked her when he minimized hers.

Will appeared in the doorway, a few minutes later, empty-handed. Will was tall, a hair shy of six-one. He’d played football in college, and, at forty-five, still had the broad shoulders and narrow waist of an athlete. Amazing, really: after eighteen years of marriage, she still found him achingly sexy. Crow’s feet creased the corners of his intelligent blue eyes and fine lines etched his cheekbones, giving his boyish features a look of intensity and purpose, qualities Zoe had recognized from the start but that only now, as he was aging, showed on his face.

After work, he’d changed into a pair of stonewashed jeans and a gray sweatshirt, worn soft, the words “Harvard Soccer Camp” screened in maroon lettering across the chest. Absently, he pushed up his sleeves, and peered around the room as though looking for something. “Zoe—”

Normally, he called her Honey or Zo.

“I put the cards away.” She thumbed the sideboard. “You quit, remember?”

“Do you have any idea what time it is?”

She glanced at the cuckoo clock on the far wall. “Ten past eleven. So?”

“Where’s Leah?”

At the football game, with Cissy. “They’ve been going every week. Did you forget?”

“She ought to be home by now.”

“She’s only ten minutes late.” Their daughter was a junior in high school. They’d agreed, before school started this year, to extend her weekend curfew to eleven. “She’ll be here soon.”

Will stalked to the window, grumbling. Dog rose, and pressed her nose to the glass.

Their driveway, half the length of a soccer field, sloped down from the cul-de-sac, arced around the lawn, and straightened, ending in a turnaround at the foot of their three-car garage. In summer, the oak and birch trees bordering the property obscured their view. Now that most of the leaves had fallen, the headlights were visible as vehicles entered the circle.

“She has a game in the morning.” Will stretched his neck . His upper back had been bothering him lately, residual pain from an old football injury he’d suffered in college.

Zoe came up behind him, pushing Dog’s blanket aside with her foot, and squeezed his shoulders.

“You’re tight.”

He dropped his chin. “From sleeping on the plane. Got to get one of those donut pillows.”

“You know Leah. She has no sense of time. I’ll bet they stopped for something to eat.”

“I can’t see why Hillary won’t set a curfew. Every other coach has one.”

“Relax, Will. It’s not that late. You’re blowing this out of proportion. Don’t you think?”

A flash of headlights caught their attention. An SUV entered the cul-de-sac, rounded the circle, its lights sweeping over the drive and across their lawn, and headed down the street.

Bending, Will ruffled Dog’s ears. “Reardon’s coming tomorrow, specifically to watch her. She plays like crap when she’s tired.”

The Harvard coach. She should have known. “So she doesn’t go to Harvard,” she said, a tired remark, fully aware of the comeback her words would elicit, “she’ll go someplace else.”

“There is no place else.”

No place that would give her the opportunities, the connections… blah, blah, blah. They’d been over this a million times. If their daughter had the slightest aspiration of going to Harvard, Zoe would do everything in her power to support her. As far as she could tell, the name Harvard had never graced Leah’s wish-list. It was a moot point, anyway. For the last two terms, Leah’s grades had been dropping. If she did apply for admission, she would probably be denied.

“Reardon has pull,” he offered, a weak rebuttal in Zoe’s opinion. “He’s been talking to Hillary about her. She can’t afford to blow this opportunity.”

Opportunity? What opportunity? “Face it, Will. She doesn’t want to go to Harvard.”

“If she plays her cards right, she can probably get a boat.”

Zoe opened her mouth, ready to blast him. He’d received a full football scholarship from Penn State, and dropped out of college. Was that what he wanted? A college drop-out in a couple years? Noticing the purple rings under his eyes, she held back. “You’re exhausted.” His plane had barely touched ground at Logan Airport when he was ordered to NAC’s corporate office in Waltham, for a marketing meeting. He hadn’t had time to stop home to change his clothes, never mind take a short nap. “Why don’t you go to bed? I’ll wait up.”

The look he returned implied that she’d lost it. “You think I could sleep?”

“For all we know, they had a flat.”

“She would have called.”

“So call her.” Duh.

“I did. I got voice mail.”

Shoot. “You know Leah. Her battery probably died.” She was grasping at straws. Leah was sixteen years old. That phone was her lifeline. Still, it could be true. It was possible. Right?

Leah had totally lost track of time. She and Todd had been hanging out at the water tower for hours, perched on the hood of Todd’s Jeep, drinking Vodka and OJ, admiring the beautiful night.

This place was perfect, the most perfect place in the universe, maybe. Big sky, lots of trees.

From here, they could see the whole town, just about—the river, the railroad tracks. An orchard. In the valley, lights began to blink out. Leaning back on her elbows, she gazed up at the heavens. “Look,” she said, mesmerized by the inky black sky, the billions and billions of stars.

“The Big Dipper.” As she stared into space, time fell away, the past merging seamlessly with the future, this moment, up here, with Todd, the only reality there ever was or ever could be.

Todd took her hand, drawing her close, so close she could smell the spicy deodorant under his armpits. Just being with Todd Corbett made her feel dizzy all over. Todd was, by far, the most beautiful boy she had ever laid eyes on. His hair was long on top, short on the sides. He had full lips, and the most fabulous blue eyes, like, like crystals or something. A Romanesque nose, the exact nose she’d once told Cissy she’d die for, only now that she’d seen it on Todd, she realized that that particular nose was meant for a boy. Best of all, he had this incredible aura, all purple and blue, like James Dean or Curt Cobain.

She curled her legs under her, laid her head on Todd’s chest.

They met at a party, the Friday before school started. Todd had been on tour for the past two years, working as a roadie for a heavy metal band called “Cobra.” Leah knew he was back—that was all anybody was talking about—had recognized him instantly, from all the descriptions.
She couldn’t believe her luck. Todd Corbett! And alone! She’d heard he was hot. He was even better looking in person. Looking back, she couldn’t believe she’d been so brazen. She left Cissy in the lurch, sashayed right over to him, took a seat beside him, on the living room floor.

The movie he was watching was stupid. People clopping across a field like zombies, their arms outstretched. They reminded her of herself and Justine when they were little, playing blind.

Even the makeup looked phony.

“What are you watching?” she asked.

“Night of the Living Dead. Flick’s a classic. Hey, haven’t I seen you someplace before?”

Maybe, though she couldn’t imagine where. Todd couldn’t possibly have remembered her from high school. She was only a freshman when he dropped out.

“Leah Tyler, right? You’re that soccer chick.”

The wind swished through the trees. Leah shivered and Todd shrugged out of his worn leather bomber, draped his jacket over her shoulders. He reached into the pocket of his jeans, retrieved a small plastic bag half-full of weed, began rolling a joint. He licked the edge of the paper, lit the joint, inhaling deeply, and handed it to her, the smell rich and exotic and sweet.

Leah had never smoked marijuana until she met Todd. She used to be scared, which was dumb: weed was totally harmless. (The first few times she smoked, she had to admit, she’d been disappointed.) She pulled, her chest searing, struggled to hold the ice-hot smoke in her lungs.
Suddenly, she was coughing, waving her arms.

“You OK, babe?” Todd rescued the joint. With the other hand, he patted her back.

Once she was breathing easily again, he laughed, a sweet laugh that left her feeling dignified, rather than cheesy or stupid. He pinched the joint between his index finger and thumb, took a hit to demonstrate, and brought it to her lips, holding it for her. “That’s it, babe. Good.”

They smoked the joint to its stub, and he showed her how to fashion a roach clip from twigs. Afterward, he offered to drive her home. “Don’t want you getting in trouble or nothing.”

“That’s OK,” Leah said dreamily. “I don’t have to go yet.”

Todd hopped off the hood of the Jeep, pulled a flannel blanket from the back of the truck, and spread the blanket on the grass, under a giant oak tree. Leah watched him smooth it out, his hands dancing, the whole world intensely colored, brilliantly alive. She heard the lonely trill of a cricket, calling from deep in the valley, smelled the damp autumn earth, felt the cool blue breeze on her face. Todd was gliding toward her now, floating on air. He scooped her into his arms, lifting her from the hood of his Jeep, and laid her on the blanket. And kissed her.


At eleven thirty, Zoe dialed Leah’s cell phone again. When Leah didn’t pick up, she tried Cissy, both times reaching voice mail. “I don’t believe those two,” Zoe said, infuriated. “I’ll bet they changed their ringers. The little devils probably know it’s us.”

“That’s your daughter for you,” Will huffed.

“She’s my daughter now?”

By eleven forty-five, Zoe was chewing her cuticles. And Will was pacing.

“This is it,” Will announced. “I’m calling the cops.”

“You can’t be serious. What do you plan to tell them?”

He opened his cell phone. “I can’t sit here, doing nothing.” He glared at the screen.

“You can’t call the cops. She’s forty-five minutes late. They’ll think we’re crazy.”

He clicked his cell shut, dug his keys out of his pocket. “Fine. I’ll find her myself.”

Find her? Where on earth did he plan to look?

“I’ll start at the high school.”

“The game was over hours ago.”

“I’ll drive by the Hanson’s.” He headed for the garage, Dog at his heels.

“And do what?” Cissy’s mom, a nurse, worked the early shift at St. John’s. Judi was probably in bed by now. He would frighten her if he knocked on the door. “Will? Answer me.”

He swiveled to face her. “Look for the car,” he snapped, and ushered Dog out the door.

Zoe stood in the mudroom, at a loss, staring blankly at the door her husband had closed. The house, she realized when she came to, was an icebox. She rooted through the hall closet, found a fleece jacket of Will’s, and pulled it on, kicked off her shoes, the ceramic tile cool under her bare feet, went to the bathroom, crossed the hall to the laundry, tossed a load of clean clothes into the dryer, and wandered back to the kitchen. She poured a glass of water, gathered the dishes they’d left on the dining room table, and emptied the uneaten chips into the compactor. She loaded the dishwasher. After she finished washing the counter, she flung the rag into the sink, and grabbed the cordless phone, so she would have a phone handy if Will or Leah tried to call.
A family portrait, commissioned last year, hung over the stone fireplace in the family room. For the photograph, the four of them had dressed in blue; their blue period, they’d joked when the photographer showed them the proofs. In the photo, Zoe is sitting on a stool, leaning toward the camera, Will standing behind her, flanked by the girls. Looking at the portrait, you’d never guess how hard it had been for the photographer to capture the shot, the kids squabbling, Will impatient, Zoe frustrated, both parents clenching their teeth. Restless, Zoe stepped down into the family room, sank into the oversized chair next to the fireplace, and curled her legs under her, clutching the phone.

Waiting, she tried to think positive thoughts. Leah’s responsible. She can handle herself. If the girls had been in a car accident, the police would have contacted them by now. As usual, her effort to avoid negative thoughts conjured them up. Something wasn’t right. Leah had been late a few times before, never like this. A half hour was one thing. Zoe often lost track of time herself. She would be at her office, transcribing her notes, look up, notice the clock, and realize she was supposed to have picked up one of the girls—at school, at the mall, at a friend’s—fifteen, twenty minutes before. She would rush around her office in a tizzy, collecting her folders and purse, cursing herself for being a neglectful mother, and drive like a madwoman to her destination. But an hour? She checked her watch. And fifteen minutes? This wasn’t like Leah.

She wondered if she had missed something. A signal. A hint. This morning, Leah, out of bed by seven, had moseyed into the kitchen, rubbing her eyes. Spotting the sauce pan on the front burner, she’d whined about having to eat oatmeal again. But she always whined when Zoe made oatmeal, which on certain days she found “revolting,” on others “disgusting” or “gross.” Zoe set the bowl in front of her. “Quit bellyaching,” she said. “Oatmeal is good for you.”

They were running late. So the girls wouldn’t have to rush to catch the bus, Zoe offered to drive them to school. Justine rode shotgun, while Leah dozed in the backseat. At two, Leah called Zoe at work to remind her that she and Cissy planned to go to the game. She was headed directly home after practice, Leah had said; she would fix dinner. At six thirty, when Zoe opened the back door, she smelled Leah’s spicy, cumin-laced chili. On the island counter, Zoe found place settings for her, for Will, for Justine, three glasses filled with ice water and lemon. Justine was upstairs in her room, doing her geometry homework. Leah had already left for the game.

Zoe closed her eyes, breathing deeply, attempting to center herself, and, counting backward from ten. . . eight, seven, six. . . summoned an image of her daughter. Leah’s face materialized, and her body slowly came into focus. Directing her energy outward, Zoe enclosed her daughter in a protective circle of light. Be safe, baby, she whispered. Be safe.

IN LEAH’S WAKE
By Terri Giuliano Long
Pages: 352
Format: Paperback, Kindle
ISBN: 1456310542
Publisher: CreateSpace
Website: www.tglong.com

BOOK BLURB

The Tyler family had the perfect life - until sixteen-year-old Leah decided she didn't want to be perfect anymore.

While her parents fight to save their daughter from destroying her brilliant future, Leah's younger sister, Justine, must cope with the damage her out-of-control sibling leaves in her wake.

Will this family survive? What happens when love just isn't enough?

Jodi Picoult fans will love this beautifully written and absorbing novel.

DESCRIPTION

Protecting their children comes naturally for Zoe and Will Tyler—until their daughter Leah decides to actively destroy her own future.

Leah grew up in a privileged upper-middle class world. Her parents spared no expense for her happiness; she had all-but secured an Ivy League scholarship and a future as a star athlete. Then she met Todd.

Leah’s parents watch helplessly as their daughter falls into a world of drugs, sex, and wild parties. While Will attempts to control his daughter’s every move to prevent her from falling deeper into this dangerous new life, Zoe prefers to give Leah slack in the hope that she may learn from her mistakes. Their divided approach drives their daughter out of their home and a wedge into their marriage.

Twelve-year-old Justine observes Leah’s rebellion from the shadows of their fragmented family. She desperately seeks her big sister’s approval and will do whatever it takes to obtain it. Meanwhile she is left to question whether her parents love her and whether God even knows she exists.

What happens when love just isn’t enough? Who will pay the consequences of Leah’s vagrant lifestyle? Can this broken family survive the destruction left in Leah’s wake?

This mesmerizing debut novel tells the tale of a contemporary American family caught in the throes of adolescent rebellion - a heartbreaking, funny, ultimately redemptive quest for love, independence, connection and grace.

SALES LINKS Amazon Print , Amazon Kindle, Barnes and Noble, Indie Bound


AUTHOR BIO

Terri Giuliano Long is the bestselling author of the award-winning novel In Leah’s Wake. Books offer her a zest for life’s highs and comfort in its lows. She’s all-too-happy to share this love with others as a novelist and a writing teacher at Boston College. She was grateful and thrilled beyond words when In Leah’s Wake hit the Barnes & Noble and Amazon bestseller lists in August. She owes a lot of wonderful people – big time! – for any success she’s enjoyed!

Website: www.tglong.com
Blog: www.tglong.com/blog
Twitter: https://twitter.com/tglong
Facebook: http://www.facebook.com/tglongwrites

Sunday, November 06, 2011

November Book Tours

Red Winter Excerpt and Giveaway


Red Winter
By Clark Hays
Pumpjack Press, 2011


How do you kill someone who just won’t stay dead? It will take more than a steady hand filled with a blazing six shooter if anyone in LonePine lives through the “Red Winter.”
Sheriff Early Hardiman has seen a lot of bad things in his life, but nothing could have prepared him for the first Vampire to visit the Old West.


The year is 1890 and winter is closing like a noose around tiny LonePine, Wyoming. When the snows come and the mountain passes are buried and the train stops running, there’s only one way to leave LonePine — boots up in a pine box. For Sheriff Hardiman, once one of the fastest guns in the West, it’s another four months of watching over the foolish and the foolhardy and praying for the arrival of spring. At least he has the lovely Miss Grace, his new wife and former madam of the infamous Pearl brothel, to keep him company.


But then a murderer turns up out of the cold and dark. People are being killed and not in the usual way, either — they are dying hard, tortured and drained of their blood. Worse, it appears Miss Grace may be next on the list.



Fans of “The Cowboy and the Vampire” (Midnight Ink, 2010) know that LonePine will see plenty of Vampires in another 120 years. But in 1890, no one had yet even imagined the kind of terror Jericho Whistler brings with him to the isolated little town when he hunkers down for a long winter of feasting on the terrified and trapped residents of LonePine.

Buy it: Amazon Smashwords




Excerpt

“Want to tell me what the hell’s got you all shook up?” he asked Avery.


“It’s awful Sheriff, one them old gals.” His face turned green as he conjured up the image. “Someone cut her all to hell. Dammit Early, there’s blood everywhere.”


They stalked on, Early feeling a cold ball of dread in his stomach. His fists clenched unconsciously. Out past the railroad station they crossed the rough-hewn bridge spanning the dark rush of Wet River, boots crunching on the frozen ground. Lights were burning around the peeling exterior of the Hog Ranch, lanterns setting on the porch and people standing close together shivering from the cold but unwilling to go in.


As they walked up and those gathered recognized Early, they clustered around him and all began talking at once, a knot of pale, worried faces. One of the whores was holding the edge of the porch rail, wiping vomit from the corners of her painted mouth.


“Quiet,” he bellowed. “Somebody tell me what the hell’s going on here,” he shouted, cutting through the questions and clamor.


“Go see for yourself,” a man said weakly, pointing through the door. “It’s like a goddamn slaughterhouse.”


He stepped into the front room, lit by candles and guttering oil lamps. The smell of sex and smoke hung heavy in the air. “Where?” he asked Avery, standing in the door.


“Upstairs and down the hall.”


Senses straining, he walked slowly up to the second story and the row of doors standing open, the empty rooms silent and accusing. The familiar scent of sin and body odor was overpowered by something else. Fear. And death. He looked into each room as he passed, cataloging the contents in his mind. The last door on the right was closed. He turned the knob and jerked it open, felt bile rising in his throat and sagged against the frame.


“Sweet Holy Jesus,” he muttered. He had always considered himself a hard man, one accustomed to death, but the scene that lay before him shook him to the core. What had once been a woman lay tied to the bed with rawhide cords, dead eyes open and frozen wide with fear, a bloody rag stuffed in her mouth.


A fresh wave of nausea washed over him and he choked it back, tearing his gaze away to look at the familiar objects in the room: a dirty wash basin, cracked mirror, an expensive brush with a bone handle, a few dresses. Not much to live for, nothing at all to die for.


About the author

Clark Hays is a writer, poet and lapsed cowboy living in Portland, Oregon, with writing partner Kathleen McFall. Their first book, The Cowboy and the Vampire, was re-released October 2010 by Midnight Ink. They are hard at work on a sequel, Blood and Whiskey, which will be released in early 2012.

In the meantime, Red Winter, edited by Kathleen, is available as an eBook.

Web: www.cowboyandvampire.com
Facebook: www.facebook.com/cowboyandvampire
Twitter: @cowboyvamp


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